LINDSAY JOHNBEFORE FORM 1989
‘SKIN’, Third Eye Centre Glasgow
‘…John is a performer whose considerable physical skills are matched, and
underpinned by a questioning, agile mind…’ Mary Brennan The Herald.
BEFORE FORM 1998
‘SKIN’, ICA London
‘…The performance I saw caused a deathly silence rarely experienced in the theatre. John, locked in some anthropomorphic transformation, instilled an intense akinesia in the audience, a sort of communal holding of breath, followed at the end by a giant sigh of relief. It is something of a challenge being a spectator to this performance: from his dreamscape vocabulary comes a potent fusion of images that probe and lacerate the imagination.’
Matthew Springford
Performance Magazine # 58
THE SIMPLICITY OF GRASPING AIR 2009
or: ‘Running Alone in a Forest for 3 Hours’, Dance Base Edinburgh
‘…Contemplative and quietly beautiful, it is both restful and provocative,
a charmed half hour of bliss…’ Seth Ewin The Skinny.
BEFORE FORM 1989
‘SKIN’, Third Eye Centre Glasgow
‘…John is a performer whose considerable physical skills are matched, and
underpinned by a questioning, agile mind…’ Mary Brennan The Herald.
BEFORE FORM 1998
‘SKIN’, ICA London
‘…The performance I saw caused a deathly silence rarely experienced in the theatre. John, locked in some anthropomorphic transformation, instilled an intense akinesia in the audience, a sort of communal holding of breath, followed at the end by a giant sigh of relief. It is something of a challenge being a spectator to this performance: from his dreamscape vocabulary comes a potent fusion of images that probe and lacerate the imagination.’
Matthew Springford
Performance Magazine # 58
THE SIMPLICITY OF GRASPING AIR 2009
or: ‘Running Alone in a Forest for 3 Hours’, Dance Base Edinburgh
‘…Contemplative and quietly beautiful, it is both restful and provocative,
a charmed half hour of bliss…’ Seth Ewin The Skinny.